' />
THE WALKABLE CITY

The Walkable City

A performance by Economy. Performed within the project NEITHER YOU NOR ME by Anders Mossling and Anders Paulin at MDT, as part of the project EVOLUTION WON’T BE TELEVISED by BADco. at Skogen. and at Tensta art centre as part of HAUNTED BY SHADOWS OF THE FUTURE

SCRIPT PUBLISHED IN SUPER INTO ON TO IT (PDF)

“I wish I could talk in Technicolor. Or let you see, did you say you could see it? It's here, can't you feel it? This whole room. Everything is in color and I can feel the air and I can see it, I can see molecules. Wonder at the incredible vistas that surround you with the vivid contrast of green lawns that meet the azure blue of the River, be mesmerized by the beauty of the setting sun and dazzled by the twinkling stars at night. I have never seen such infinite beauty in my life. It's like a curtain or a spider web. Can you see it it's right here in front of me. Now, watch, no, good heavens. You know it went through me. It passed right through me.”

Non-plan enterprise zones, propagative-atmospheric-urbanism and dark matter organization are examples of contemporary strategies that are used to transform the city and its architectures. The practice of building has become so abstract, so hi-jacked by the forces of economics that when we talk about building cities, we are no longer talking about actually building matter, but optimising systems to better insure continued growth. The qualities of the cities of the future have nothing to do with the needs of the current citizens; instead it is geared toward attracting a future workforce of ambitious, well-educated and creative young professionals. The urban industry complex is preparing us for a city where life and work are again merged as one. A city where attention is the new currency and every interaction, encounter or experience is understood as an economical transaction. What role will architecture and architectural processes play under these conditions, is it doomed to act as a lubricant for an increased privatization or could it re-form itself as an oblique order, a refused flank, for the construction of a different collective?